Sunday, September 20, 2020

The Upper Crust of Tea Time: Polite Society and The Victorian Institution of Marriage

The British Victorians indeed lived in a highly gendered time, in which women and men were expected to exist in “separate spheres”. The sphere of men encompassed all avenues of British public life, and a given man was within his bounds to exhaust all opportunities of education, commerce, and business that his status in society made available to him. By workday’s end, when he had grown tired of muck of the English streets and scenes of unseemly capitalistic realities, he could find refuge at his well-kept home. That glorious light of wholesomeness, purity and Christian value kept a light on for him until he crossed the threshold to remove his boots. Only behind closed doors was the private domain of women, busy in the business of bringing up children, tending to household cares, and with the diligence of a maid,  the wife scrubs away both the grime of living and that unseemly “moral decay” of the English streets that the boots of husbands may track in from time to time. As Kabeer quotes Nash and Safa in Reversed Realities, “the family was portrayed as a refuge from the hostile world outside, and women were socialized to believe they were privileged by their husbands to remain within its sheltered confines” (48). 


 
        The world outside the home was far from as safe as the interiors of the home young women left behind at the threshold of married life. Victorian society was structured in such a way as to heavily attribute much of its weight to the institution of lawful marriage and while moral in supposition, presented an ugly reality even for those globally deemed privileged as residing under the rule of the world’s most eminent Imperial power. Well-to-do women were brought up cultivating bourgeois pass-times to please groups of polite society. Upon coming of marriageable age, drawing rooms filled with acquaintances of mixed company, and quickly transformed for young women into arenas where eligible bachelors may be won by charm, beauty, accomplishment, poise, and of course, the ampleness of  Daddy’s bank account. Talented, charming young ladies were auctioned off to the highest bidder as nineteenth-century marriages struggled to be made for love over familial and financial politics. Take for example, early feminist Victorian author Mary Anne Evans’ (otherwise known by her pseudonym George Eliot) sassy and self-absorbed heroine, Gwendolen Harleth from her 1876 novel Daniel Deronda. Full of spright, Gwendolen attracted the attention of all onlookers at a gentile archery tournament of well-to do English society. Gwendolen rejected the Victorian notion of marriage but liked the freedom a climb in social status could award her and reluctantly, she consented to be wed. Needless to say, bad things ensued for Gwendolen and she was left repenting of her “wicked” ways by the novel’s demise.

Just as the pomp and circumstance for the courting ritual was heavily entrenched with cultural expectations (as it was for Gwendolen), so were the expectations for the wife for whom the wedding bell tolls. Handbooks like The Wife and mother; Or, Hints to Married Daughters, by a Mother (1841) were heavily circulated during the nineteenth century among women of marriageable age. Handbooks such as these reinforced the idea of separate spheres philosophy as well as confining women to reproductive rather than productive roles. As we see even before the courtship ritual, even the product of women’s artwork (such as needlepoint, painting, singing, piano playing etc.) was all done for the pleasure of polite woman expresses herself, she is solely contributing to reproduction and has no place in society as a vital individual in her own right. Further, handbooks such as Hints to Married Daughters urge women to plead with 

“such idle tyrants in our age and country, who, so as they can live in indolence, and gratify their appetites, care not how they oppress their wives? Wretches who do little or nothing for the support of their family? How utterly lost to every noble and generous sentiment must that man be, whose heart cannot be moved by the entreaties or the tears of an interesting woman, and who in vain cannot hear her pleadings for his child at her breast, and his child by her side, and who by such appeals cannot be induced to give up his daily visits to the tavern, or his habits of sundering idleness, to attend to his neglected business and stay the approaching tide of poverty and ruin” (74). 

By the above passage, women are helpless pawns in the moral persuasion of their husbands to Christian morality. They, and their children, fully dependent on the husband, the breadwinner, and the head of the household. This leaves women in a frightful position even more ferocious of the undercurrent in the drawing room of courting ritual. Separate spheres philosophy and the marriage contract placed women in a state of indentured servitude and sexual slavery. As discussed in class, the West (or the Global North if you will) influenced the oppression of women in the developing world. We can see from centuries such as the nineteenth, when Imperialism was at its height as Queen Victoria tremendously expanded the British empire, separate spheres philosophy was a cultural import from the global North that steeped like a strong tea, into the global south, with as little validity save “that’s the way it’s always been done”.

References: 

Defining Gender Database- Hints to Married Daughters https://www-gender-amdigital-co-uk.proxy.library.ohio.edu/Documents/Images/The%20Wife%20and%20Mother%20or%20Hints%20to%20Married%20Daughters%20by%20a%20Mother/0

 Kabeer- class reading Chapter 3 from Reversed Realities - https://learn-us-east-1-prod-fleet01-xythos.s3.amazonaws.com/5c1270dbb5a74/8504958?response-cache-control=private%2C%20max-age%3D21600&response-content-disposition=inline%3B%20filename%2A%3DUTF-8%27%27kabeer%2520ch%25203.PDF&response-content-type=application%2Fpdf&X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Date=20200921T000000Z&X-Amz-SignedHeaders=host&X-Amz-Expires=21600&X-Amz-Credential=AKIAZH6WM4PL5SJBSTP6%2F20200921%2Fus-east-1%2Fs3%2Faws4_request&X-Amz-Signature=07e54c74f5f2b51c133637cd6b3782ca92b1146b8a0225868b2ec7b105c2db32

2 comments:

  1. Megan, it is amazing how you have incorporated various feminist theories or concepts into a piece of writing, and the demonstration using the example portrayed blends in the right way. It is interesting to realize that at some point in the world, (and by this I mean in both the Global North and the Global South) patriarchal mainstream system was the way of thinking and doing. Over the years, there was an awekening, literally, of the women into realizing that they were treated differently and were forced to act in certain kinds of ways. The question of how this came to happen and where still remains untold (or is it?). It is clear that Gwendolen faced a lot of pressure from the society forcing her to act 'as required'. Imperialism in the Global South followed the same culture and tradition already established, which saw to it that women were treated 'different' to the man...First forward to the contemporary age, where the same topics are still being discussed. But it is clear that there is an 'awakening' of women to the fight against prejudices against them. The fight is still underway (or not, given the geographical location and manner of culture of a society)...just when and where did this fight start, and is it meant for both worlds?

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  2. Since Megan's connected us with Victorian-era literature and Yvette mentions the need for "an awakening" of women, it seems appropriate to bring in The Awakening. It's an early feminist (proto-feminist?) novel written at the tail-end of the Victorian period. The married protagonist falls in love with a young man and begins to chafe at her domestic and familial bonds. Things don't go well for her.

    Two points of interest that may bring us back to class: the instrument for "awakening" and colonialism.

    First, the protagonist "awakens" thanks to passion that's unfulfilled by her normative marriage. This is arguably a confirmation of gender hierarchies (the guy she likes is a wishy-washy cad), but it does allow her to view the world through a different lens. On the other hand, another major character is awakened by her devotion to music. And then there's the possibility of the novel itself performing such an awakening for its readers. Maybe art is an effective way to help shake up the status quo?
    Second, the guy she likes flees to Mexico when he can't deal with the relationship, ostensibly for a business opportunity. This is fascinating in the context of this class. Man likes a woman but can't deal with her passion, so he goes to another country to assert himself through colonial exploitation. The statuses of woman (in North) and underdeveloped nation (in South) are firmly linked.
    Fwiw, I'm not entirely comfortable with the idea of needing for women to be "awakened" in order for progress to be made. It may be true on an individual level, but as a whole it seems more closely aligned with Modernization & Development theories than with neo-Marxist theories that concentrate on removing barriers and systemic gender hierarchies instead.

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